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Thesis:
“Both
Superman: Red Son and Maus effectively depict the brutality of authoritarianism
and the failure of fair government. Despite portraying different extremes of
the political spectrum, these stories exemplify the universal and devastating
effects of unchecked ideology.”
Sources I found:
Singer,
Marc. “Superheroes.” Comic Studies, edited by Frederick Luis Aldama,
Rutgers University Press, 2017, pp. 24-42.
Nento,
Arief Rahmat. “Superhuman Marxism in Mark Millar’s Red Son.” TRANS-KATA:
Journal of Language, Literature, Culture and Education, vol. 1, no. 1, 2020,
pp. 22–28
Park,
Hye Su. “Art Spiegelman’s Maus: A Survivor’s Tale: a bibliographic
essay.” Shofar, vol. 29, no. 2, winter 2011, pp. 146+. Gale Literature
Resource Center
Redwood,
Henry, and Alister Wedderburn. “A Cat-and-Maus Game: The Politics of Truth and
Reconciliation in Post-Conflict Comics.” Review of International Studies, vol.
45, no. 4, 2019, pp. 588–606
Chute,
Hillary. “‘The Shadow of a Past Time’: History and Graphic Representation in
Maus.” Twentieth Century Literature, vol. 52, no. 2, 2006, pp. 199–230
Romero,
Federico. “The Cold War: A World History.” Cold War History, vol. 18, no. 2,
Apr. 2018, pp. 240–243
Costello,
Thomas H., et al. “Clarifying the Structure and Nature of Left-Wing
Authoritarianism.” Journal of Personality and Social Psychology, vol. 122, no.
1, 2022, pp. 135–70
Kandler,
Christian, et al. “The Structure and Sources of Right-Wing Authoritarianism and
Social Dominance Orientation.” European Journal of Personality, vol. 30, no. 4,
2016, pp. 406–20
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